Twixtor fcp x6/12/2023 Its the movement at the top of an arc/trajectory that works best for Twixtor because that’s when things generally move the slowest, more frames of the relevant action for Twixtor to work with.Ĥ. The law of nature is that what must goes up, must come down. Shoot against a plain/solid colored background – sky/wall etc etc.ģ. Shoot at a fast shutter: anything 1/2000 – 1/4000s. Here are a few key things to consider when working with Twixtor:ġ. I wanted to try shooting super slomo using the Canon 7D and Twixtor in interiors. I wanted to shoot something different to all the other Twixtor stuff I’ve been seeing – which have all been shot outside. When Twixtor becomes a part of my workflow I need to become increasingly more aware of the way I am shooting so that I have workable footage in post. I guess with every project the approach is somewhat different. Let me quickly explain how Twixtor works: It takes your footage [generally your transcoded 50fps, or 60fps footage and “guesses/interpolates” your missing/in-between frames Gravity – Director’s Cut from Salomon on Vimeo. But for those whose budget means renting a Phantom Flex or something similar is out of the question Salomon guides you through the best ways to make the most out this powerful, but tricky plug-in. You need to light a lot to make them work but as you will read below you need to do the same with twixtor to get the high shutter speeds needed. Twixtor will not give you as good results as a dedicated high speed camera of course. He put up a new video a couple of days ago, Gravity, and he was kind enough to write this guest blog post on how to get the best out of it. One of the best filmmakers I know who uses Twixtor really well is my friend Salomon Ligthelm, whom I met when he lived in Dubai back in January last year. FCPX's keyword system can be extremely useful for managing your own projects but my experience is that a feature length project in FCPX might be a little tough at the moment (due to memory bugs mostly) although the audition feature, in theory, seems great for sifting through alternate takes.I have used twixtor myself for a few projects but I have never had terrific success with it. My recent experience with AVID has been very, very limited but I have not seen anything in FCPX that addresses shared projects very well if at all. The FCPX interface, in my opinion, is light years better than PP5.įCPX vs AVID - Avid always beat FCP7 and PP in terms of file management for long feature projects or shared series projects. The file codec transparency that PP5 has over FCP7 is not much of issue with FCPX although apparently a few codec variants that work in PP will not presently play in FCPX without conversion. The program is still version 1.įCPX vs PP5 - Not much of a comparison except for a few functions PP has over all FCP versions anyway, primary is the clean integration with other Adobe products. FCP X is the only NLE with a visual/interactive source managementįCPX vs FCP7 - much better except when you need the things they left out: Discreet audio tracks, non-buggy graphic file handling (photoshop files work but don't try any modest transitions between layers), strange track behavior in relation to the primary storyline track. In FCP X - I dont look at clip-icons and read clip names I watch them and skim thru' them. Searching a clip involved looking at clip-icons and reading text. That was my biggest gripe in Premiere Pro. And more importantly, with FCP X I NEVER loose that momentum when I cut a story. I have never been able to work faster than I do today on FCP X. IMO - the greatest/superior NLE is the one that enables you to find the clip that you need, when it pops into your head.įCP X's Event Browser along with skimming and Keywording does just that. So tell me: what is better about FCP X than FCP 7? Surely there must be a few things.Īll NLEs can Cut,Slide,Slip,Roll etc along with standard Timeline operations. Man, I've been out of the loop for a while, I guess! All I read about FCP X is about how awful it is and how it stripped out many of the great features of FCP 7 (multiclip, etc).
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